With their Nuclear Blast Records debut, The Forgotten Goddess, Echoes have set themselves up to join that illustrious girls' club that includes the legendary Nightwish and fellow newcomers Epica.
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The band shines most brightly on the record's title track, a multi-lingual, time-signature-bending song that is equally adept for head-banging and interpretive dance. The metal squeals are enough to make any metal kid shoot his proverbial load, but the crescendo leading up to the double-bass laden solo about two minutes in is almost too perfect for words.
And what epic metal record would be complete without an acoustic number, complete with a string quartet and layered vocals? Well, you get it for about a minute on The Kingdom Within before the band returns to black metal-inspired thrashery and some killer arpeggios. I'm not complaining.
Echoes even gets all Swedish on yo' ass with the technically-adept, pitch-perfect guitar work on Lost Beneath a Silent Sky, which would be perfectly at home on, for example, an In Flames record.
In all, The Forgotten Goddess has what you're looking for - whether that be just a great metal record, an exercise in feminism, or a crash-course in pagan religious history. For me, it was a lesson in expectations - never discount a band based on the gender of its members - because in the case of Echoes of Eternity, they kick the shit out of half of the all-male bands out there.
Check them out if you like: The Gathering, Nightwish, Dragonland
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