The fact is that metal's had a rough history in the 30-some-odd years it's been in existence. From that first brilliant lightening strike that came with Black Sabbath and gave life to a new, perfect genre of music, it's been an uphill battle for us. In the early 80's, the establishment found its latest scapegoat in metal, blaming bands like Judas Priest and Twisted Sister for any
The Parental Advisory label banned kids from buying up their Pantera records their souls so ached for, while pop music (which openly encourages objectification of women and hedonism) was readily available. This plunged metal into a Dark Age, a time when commercial, dumbed-down music was presented as the only proper entertainment for growing adults, the only media worth listening to, and most egregiously, the only acceptable thing for people to be into - and as such, if you were a metal-lover, you were an outcast, a devil-worshiper, even evil.
As a result, for the better part of the 90's, metal survived essentially as an underground
Fast-forward to today: Now, after an apostasy of so many years, metal is back, and it's badder than ever. Fueled by a new medium in the internet and a world sick to death of pop music, metal has made a comeback unlike anything we've seen in history. Especially power metal, with legends Iron Maiden still going strong and relative newcomers Dragonforce, Rhapsody, and Hammerfa
While the hangover still lingers from those drab days of nu-metal and rap-metal, the developments of the last few years should give every one of us hope - hope in a more accepting, inventive tomorrow for the world of heavy metal. For everyone, a metal band, and for every metal band, an audience. There may be no better definition of Utopia.
I sincerely hope that, as it develops, Throw the Goat can become a part of the reinvention of heavy metal. I predict big things ahead for my beloved heavy metal, and I can only hope to be a small part of the oncoming storm.
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